Showing posts with label Art course. Show all posts
Showing posts with label Art course. Show all posts

Wednesday, 26 November 2014

Lets Make Monsters!

 For the last six months I've been working on my animation project where we got free rein to design a beast and rider.  So now that I've finished all the assignments and not only have free time to play in Zbrush but also don't have to worry about things like the polycount or time constrants what is it I decide to play around with?

If you said "More monsters" then go to the head of the class.  I went back to the concepts and picked a completely different head.  This time around I kept things smaller, only doing a bust where before I had to do the entire beast.

It was constructed in Zspheres before being polymeshed and this kept me away from the movement brushes which I tend to rely on far too much.  I experimented with the other brushes but generally stuck to the Clay Buildup which I've found gives more of a natural feel to the model. 

Next on the agenda is working on the texture for the skin and shell and getting a better blend of colours for the overall model.
 
Colour guide for Phyliss the Pizza delivery monster.  I've no idea who this Boris fellow is or, apparently, how to spell colour.


Another render.  Checking how the pitting looked with the colour scheme.

Concept Heads #1


Concept Heads #2
 
Concept Heads #3
Concept Heads #4



Friday, 8 August 2014

Lecture - Intellectual property


INTELLECTUAL PROPERTY. THE PERILS AND PITFALLS RELEVANT TO THE ARTISTS AND/OR SMALL BUSINESS OWNER.

So there was something of an impromptu lecture on intellectual property and I took some equally impromptu and, as it turns out, rather disjointed notes.  So if there's anything that isn't covered in these pages I suggest you read them again because I've clearly got my notes out of joint.

  1. So whats this Intellectual Property then?
    Intellectual property laws change from country to country. If you are covered in New Zealand for A,B and C it could be that in Australia you are only covered for C meanwhile in Canada you're only covered for "eh"

    Anytime someone uses creativity, innovation or enterprise to create something new then this is when Intellectual Property is invoked. It covers everything from new techniques to revolutionary inventions

    There is something of a grey area in the field of Intellectual Property in that you might be employed for a company that claims ownership of your developments. This is why such minutiae needs to be hammered out in the contract negotiations.
    Final product is owned by the client unless there is a contract on the side – technoloy created for animation situation stays with the animation business while the finished animation goes to the client.
  2. Business Assets:
    Several intellectual property assets can be associated with a single product line or service delivery, advertising is a big part of this since everything that goes out to the public needs to be vetted to make certain that each of the elements used in the advertising campaign, sound, visuals, the product delivery system etc has been released by the appropriate parites and is able to be used. - Techdirt Article
  3. Intellectual Property Asset Tool Box
    Copyright works. There are different contracts which surround what you can and can't use. There are different levels of coypright which are owned in the combined works.

    What then do you, the artist, own? You've got copyright at the design stage of the production and also the project development notes.

    New Zealand works under an international agreement and it is not compulsary to register your product with the Intellectual Property office. But its pretty clear that if you don't then you're a fool due to the fact that you need to keep incredibly accurate records of who, what and when things were developed so that, in the event that you are taken to court you'll be able to prove that you were the one who invented the self removing trousers and not the guys at BigPants.ltd.

    In the situation of the courtroom one possible defense is to claim that you came up with the idea of self removing pants independantly without any knowledge of what Big Pants.ltd were doing. This puts the onus back onto Big Pants.ltd to prove otherwise.
  4. Confidential information:
    Refers to anything which you don't want competitors to know about.
  5. What can be copyrighted?
    Trademarks: how you identify your products and sercices from the competition and registereing your product with the intellectual property department will ensure that you have nationwide, but not international, protection. Not registering means that you have to build up your brand and it can take a number of years before you are covered properly. Trademarks are issued in 10 year blocks.

    Patents: Patents cover inventions and how they work. They are issued in 20 year blocks.

    Design: Design protection works in alignment with Copyright. They last for 15 years.

    Company Name: This differs from the branding of the product. The company name is the legal name for the company. If you are a limited company it means that your personal assets can't be seized if the business goes belly up.  Provided you haven't been fraudulant in your business practises which proves that there's always a downside.

    Doman Name: At risk from cybersquatters.
  6. Border Control:
    Notices are filed with Customs, if someone brings in goods which infringe on copyright then Customs are authorised to sieze the goods in questions, or possibly the questionable goods. The two parties then enter into negotiations to decide whats going to happen.
  7. Trademark:
    In New Zealand trademark covers logos/words/music/dress marks – essentially it's anything that relates to your company. The Warehouse, for instance has the right to their particulaar shade of red and even the shape of the buildings.

    In another example of this Cadbury Chocolate hold the trademark for their colour of people. At least they do in this country it's a protection that they don't have over in Australia.
  8. Career building information:
    What intellectual Property are you creating? It's a retorical question but you do need to consider the following protection options
    Clearence checks. Do you have releseas? Proper licences? Permissions to use the mashups of sounds and videos?

    http://www.nydailynews.com/entertainment/music-arts/beastie-boys-settle-lawsuit-goldieblox-article-1.1725849)
  9. Commercialise: Information missing or otherwise unavailable. I blame the drunken cannibles.
  10. Intellectual Property Capture:
    Identify potential Intellectual property assests. What of of intellectual proerties affect you and your business?
    Sort out the ownership or acquire the rights to the work. This need to be worked out in the contracting stage.
  11. Record Keeping:
    Business history – Look at the evolution of the Coca Cola bottles and how the shape itself was trademarked after the war.
    Project history
    Legal documents
    Intellectual Property calender
    Time critical deadlines – for submitting documents and offices, business's need to stay on top of this as much as possible.
    Updates to official records need to be kept current. If your details aren't correct then you can't take legal action against people (which is clearly the only reason anyone ever set up a business)
    Strategic Options
    In house – include in contracts and agreements. Digital files are password protected.
    The Register – There is an application process which gives you the opportunities to sell or license your rights. If you aren't interested in operating overseas due to funds or a lack of ability to get products to the interenational customers. But that they won't talk to you without an application.
    Release – The product might be online access by the public but not the best images or the software is crippled in some way (Shareware is the perfect example of this)
  12. General application process:
    Application
    Examination
    Acceptance (chance of failure)
    Grant (another chance of failure)
    Renewal payments (failure, yet again)
  13. IP symbols and indiciators:
    ™: Trade mark
    ®: Registered trade mark in that country
    ©: Part of copyright indicators (the full version of this is the name of the owner and the year that the product was first created)
    Country code + IP type + IP number
  14. Commercials:
    Clearence checks - What applies to you and what other people are doing which applies to your business and/or product.  Investigate potential business partnership with people who are doing the same kind of thing as you. This enables you to obtain an existing customer base.
  15. Licence terms and conditions
    Attributions
    Releases

Tuesday, 13 May 2014

Lecture Notes - Burn the Museums!


Notes from the lecture about the Avant-Garde Movement.  There's probably more I could say for an introduction at this point but really what more needs to be said?
Well perhaps the general disclaimer regarding accuracy with facts, dates and spelling. but other than that nothing more needs to be said.







Wednesday, 16 April 2014

48 Hour Film Challenge Wrapup Report

| INTRODUCTION:
The claim has been made, largely by myself, that ours was the best team. Of course I'm sure other people are going to use this space in their reports to claim that they had the best team but it should be noted that everyone else is wrong.

The fact that our abilities vary so much is what made us strong since no matter what situation arose we were able to handle it and seek advice from one of our other team members without fear of being dismissed as “the one who doesn't know anything”
Strictly speaking I should have been keeping this journal the whole way through but due to the other assignments pressing down on me the journal keeping aspect more or less fell by the wayside in terms of importance. So while I do have some hurriedly scribbled notes they aren't what I would really call up to my usual standard of writing[1].

Tuesday, 8 April 2014

Critical Studies - Lecture Notes: Industrialization and innovation. - Part 3


| INTRODUCTION:
Everyone knows that the final part of a Triology is the best part - unless we're talking about Star Wars, where the best movie was clearly Empire Strikes Back.
But here we are at the end of my notes for Critical Studies with standard warnings re accuracy, spelling et al.
PART 1: Industrialization and innovation
PART 2: 19th Century New Zealand
PART 3: 19th Century Photography

Critical Studies - Lecture Notes: Industrialization and innovation. - Part 2


| INTRODUCTION:
Just like it says in the title.  This is part 2 of the Critical Studies notes, it kind of meanders all over the place and once again I refuse to make claims as to proper spelling, grammar or historical accuracy.PART 1: Industrialization and innovation
PART 2: 19th Century New Zealand
PART 3: 19th Century Photography

Critical Studies - Lecture Notes: Industrialization and innovation. - Part 1


| INTRODUCTION:
So much for this being a weekly blog :)  Here's the first part of the critical studies notes that I've finally found the time to work into some semblance of order.  However I make no promises regarding accuracy and/or factual information.  Cite me at your own risk.
PART 1: Industrialization and innovation
PART 2: 19th Century New Zealand
PART 3: 19th Century Photography

THE 19TH CENTURY:
PART 1: INDUSTRIALIZATION AND INNOVATION




Wednesday, 12 March 2014

Critical Studies - Aesthetics and Ethics Debate

| INTRODUCTION:
These are the notes that I took during the debate we had about aesthetics and ethics.  I'm pretty sure that I've managed to get everyone's contributions down but touch typing can only go so fast.  Therefore if I've left anything major out then left me know.







Tuesday, 30 July 2013

Board Game Concept Art

Some concept art for a project.  
We're required to take an issue or movie and adapt a board game to suit.  Originally we chose the David Bain case and The Game of Life but after much discussion have since changed to the movie Scarfies and an adaption of Temple Run.





Thursday, 27 June 2013

Artus Reportus Longus Windus - Brian Froud



| INTRODUCTION TO THE INTRODUCTION

This is the first report that we were required to do for the Critical Studies section of the course. I've broken it up three sections because the whole thing was far too image heavy.

CAVAET! - I got pulled up on my referencing for this report even after I used the handout sheets AND the APA referencing tool in Word. Make certain of your references before submitting and cite everything! Even if you consider it to be redundant information.

Artus Reportus Longus Windus - Frank Frazetta

| INTRODUCTION TO THE INTRODUCTION
This is the first report that we were required to do for the Critical Studies section of the course. I've broken it up three sections because the whole thing was far too image heavy.
CAVAET! - I got pulled up on my referencing for this report even after I used the handout sheets AND the APA referencing tool in Word. Make certain of your references before submitting and cite everything! Even if you consider it to be redundant information.

Artus Reportus Longus Windus - Stan Sakai

 | INTRODUCTION TO THE INTRODUCTION
 
This is the first report that we were required to do for the Critical Studies section of the course. I've broken it up three sections because the whole thing was far too image heavy.
 
CAVAET! - I got pulled up on my referencing for this report even after I used the handout sheets AND the APA referencing tool in Word.  Make certain of your references before submitting and cite everything! Even if you consider it to be redundant information.

Thursday, 11 April 2013

Thoughts on The Dark Crystal

THOUGHTS ON
 THE DARK CRYSTAL

| INTRODUCTION:
At the course they told us to pick a movie and analyse it.  Since I was already researching Brian Froud, who designed almost everything and continues to make beautiful art.

BUT after about a week of watching movies they forced us to choose from a list.  This, in a word, was rather infuriating.

So here I am, sitting on an actual essay that is now actually redundant which means that I shall free it to live in the ether with the hopes that it helps someone sometime somewhere.

Tuesday, 9 April 2013

Tuesday, 2 April 2013

Tuesday, 26 March 2013

Critical Studies Lecture Notes -


CRITICAL STUDIES LEACTURE TWO
LECTURE BY: TANG AND JAMES
DATE: 27/03/2013
NEW MEDIA DESIGN AND TECHNOLOGY

Wednesday, 20 March 2013

Tuesday, 12 March 2013

Art Course - Project 1: Turangawaewae

| INTRODUCTION

Turangawaewae means a place to stand - unfortunetly it doesn't just mean where you are physically because that would mean that this project would be full of photos of me standing around (1)

What is it then?
The word itself is made up of two pieces.  Turanga (standing place) and Waewae (feet).

I've watched Sesame Street and know all about compound words.  Care to explain further?

As I say it doesn't just apply to your physical location.  Turangawaewae covers who a person is, where they came from and where they're going.  It gives someone more complete picture of an individuals identity rather than just knowing them by name.


That's pretty deep.
You're telling me.

Monday, 26 November 2012

Zine Page - The Chaos Project


[A page developed for the zine project based on the art of Steven Sagmeister.  If truth be told he's not my favorite artist but I appreciate the skill that goes into his work.

The tutor on the course, as noted below, has been trying hard to get us to do something arty and statementy outside parliment but there is really nothing I feel strongly enough about to protest against.
I'm also firmly of the opinion that even if I did manage to write some huge slogan somewhere it wouldn't change anyones opinion on international whaling or nuculear testing.

Now that I come to think about it I don't think I would want someone who's opinion is so very easily influenced on my team.  It would only take some graffiti by the opposing side and I would have lost them.]
 
INTRODUCTION:

Ladies, Gentlemen and assorted others.  What you see before you are the inauspicious beginnings of the Chaos Project.  It has been suggested that, in order to get our messages across, we paint a message on the steps of parliament or upon the side of visiting ocean craft.

These have been dismissed for two reasons, the first is that the planning involved in such a movement would take far too long while the second is the simple fact that it would not help any movement or political statement. 
No the problem is that the general public, who would be the ones to receive the message, would view it as a kind of irksome graffiti that doesn't even have the benefit of being artistic.

The Chaos Project differs from other artistic or sociopolitical en devours however since it exists only for the sake of existing and will continue on in a memetic form long after the project has finished.

OUTLINE:

At its heart the plan is simple.  We take some tennis balls and roll them down the street.  However the aim of this plan is Chaos and by multiplying the amount of tennis balls exponentially we are able to strike a blow against the forces of ordinariness that seem to have this city in a vice like grip.

1.                  Acquire dump truck:  This may have to be rented or bought outright.  Either way this is an essential part of the Chaos Project.  The use of private cars has been suggested but was voted down due to the sheer bulk of the payload.
2.                  Acquire Tennis Balls: 40,000 of them, I estimate this to costing about $18,000.00 although I am certain that for such a vast number of balls some sort of bulk rates will apply.
3.                  Number the tennis balls 1 – 6.  This works out to around 8000 balls for each number but it is important to make certain that no ball is marked number 3, for reasons that will be explained below.
1.                  Balls marked 1 should carry the message: Let us begin!
2.                  Balls marked 2 should carry the message: Think about yourself
3.                  Balls marked 4 should carry the message:Anyway the wind,
4.                  Balls marked 5 should carry the message:Love will conquer
5.                  Balls marked 6 should carry the message: Exaunt Omnes
4.                  Load marked balls into the truck and release into the city streets.  It doesn't matter what hour of the day this is performed as the effect of 40,000 tennis balls is bound to have an arresting affect on the population of the city.  But for our purposes the height of rush hour in the middle of Wellington City should prove entertaining for all concerned.

OUTCOMES:

The messages on the balls are meaningless when taken either individually or as a whole but we are counting on the magpie like nature of humanity to kick in when the messages are discovered.  After they've gotten out of the way of them all, there will be people picking through each one in a desperate attempt to collect all of them.  The news agencies that cover this will only make the problem larger since their reports will reveal that there is a message to be decoded in the collection of balls.

But, as noted above, there is no number 3 ball and never will be.
The biggest problem that I see with this plan is the question of stealth.  Any individual buying this many tennis balls is going to be remembered as is anyone who is hired to write the messages on the balls.  Getting the balls printed with the messages already on them might go some way to  keeping anonymous about the whole thing.  But all those involved with this project are going to need to accept the fact that, sooner or later, we will be identified.

 
The actual page that I ended up using.  Keen eyed viewers will note that I didn't actually use any of the text that I'd prepared earlier.