THE ANALYSIS OF:
GODFATHER DEATH
OR
HOW I STOPPED WORRYING AND LEARNED TO
LOVE THE DOCTOR.
| INTRODUCTION:
There has been a tendency of late for
movie makers to tackle the classic fairy tales in much the same way
that I do. But where I remain both faithful and respectful of the
material the movie versions are generally rewritten to be gritty
action packed adventures with the bad CGI monster dial turned all the
way up.
Not long ago, whilst I was perusing my various tomes in a room that was illuminated only by the brief punctuation of jagged lighting arcing across the eternity of ebon night and Fluffywuffykins, my pet Shoggoth, looked about for someone to take her walkies I stumbled across more than a few examples which suggested the Grimms themselves weren't above doing the same thing, although understandably they didn't have the budget for poorly rendered CGI monsters. This particular gem stands out as an example of their darker works. It first came to my attention when the title piqued my interest and what I discovered is that they've discarded the wicked witches, long lost princes and happily ever afters in favor of Death, a doctor and a father who's not afraid to to tell both God and The Devil exactly what he really thinks of them in the same way that we've all dreamed of marching into the bosses office right now.
A further note: Death "TALKS LIKE THIS" only because I am unfortunate enough to be a fan of Terry Pratchett's Discworld series in which the character of Death plays a major role, has a horse named Binky and likes cats [1]. I urge you to stay away from all twenty books. Trust me you'll hate them, really [2].

